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Konstantinidis dealt with the study and observation of the Greek landscape. In his travels to the countryside and the islands, he photographed the mountains, the sea, the nature of nature and the “human constructions” that were made with their environment. He acknowledged the peculiarity and natural beauty of the Greek land, the particular characteristics of the Greek land, and gave special attention to the Greek climate, characterizing the mild, soft and habitable. Having in mind his pictures and thoughts from his travels, in his book “For Architecture,” he states characteristically: “It is no exaggeration to say that Greece stands as one of the most beautiful countries in the world. It has a mild climate that allows you to live almost outdoors in the countryside, it has a very bright and shining sun, with an atmosphere always crystalline clean, it also has nights, in the summer, more cool and sunlit, with the moon or the stars. But it has the place and landscapes divinely in beauty, landscapes plain and plain in shapes and figures, with mountains and seas and coasts in enchanting, if not fairy-tale, naturalness, with islands, large or small, shining like precious gems in in the blue or white light of the sea and the sky”.
Also, in his bible for Architecture, he states “We are not building against nature but building with nature”, so we can say that his theoretical quests played an important role so that his architecture is proof of his great sensitivity in terms of the place where its buildings are constructed, since they tried to emphasize the interaction of nature and habitat, and placed particular emphasis on integrating the whole of its architectural work into the Greek landscape.
Konstantinidis pointed out that the soul was the one who was missing from the buildings of his time and generally from the architectural design that he knew only to imitate superficially the past, without substance, simply copying forms and leaving the place he called “goddess”, waiting unexploited. All of this situation and life in this limited atmosphere has led the man to move away from nature. Konstantinidis defines nature as an element that makes things more alive, has a pulse and a lasting move that can drift the man himself into his rhythms. However, man’s energies and creations, and architecture without substance and character, have led the landscape, the light, the sky and, more generally, nature to confront the terrible ugliness that exists, and there he assumes his responsibility as an architect. “And so it means that the true architect can work:” for the audience and the principal”,”for the true essence”, “with calculus and with a dream”(Solomos).
According to Aris Konstantinidis, the architect who builds with nature ‘owes to create spaces that strengthen the relationship of man with his environment and at the same time catch the spiritual quality of the natural landscape, but also
its materiality and build with the same vocabulary that is structured in nature. This vocabulary includes the climate, orientation, soil and materials of each site. With a simple and humble design, without unnecessary morphological details. Every building must stand up, both alone and in the whole, so so as to harmonize with the surrounding and to look like another a construct of nature, in the spirit of Greek writing.
All of this, therefore, made him want to always participate in the choice of the land he would build, at least when he could, as in the case of Xenia, who, as the head of the technical service, could easily do that. In fact, he looked at the conditions of the shape of the land, the most typical location and other factors he considered necessary to design either a home or a hotel.
The choice of the plot was the most difficult but also the most basic step to begin the process of producing ideas. Particular attention was paid to the plot being well-oriented, and if the terrain had been tilted to the East or Mesembria, it had a view of a peculiar and beautiful landscape and was on a roadway to be easily accessible. Each final building would have to fully exploit the climatic conditions of the area (sun / wind) and “open” to an unobtrusive view.

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